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Aoyama Square
Aoyama square blog
2017/9/8 Friday exhibition information

Temporary exhibition "traditional industrial art object exhibition of fujinokuni Shizuoka" and talk show of the artisan corner "world of relationship charge account gold leaf which five disciplines play"

Temporary exhibition "traditional industrial art object exhibition of traditional skill static Oka prefecture reaching" <fujinokuni> and artisan corner "world and mini-experience ... of relationship charge account gold leaf which ... five disciplines play" begin from today,

Talk show was performed in Aoyama square from 14:00.

 

At first we heard story from Kuroda of Suruga Takesensuji Zaiku.

 

Tomoyo Kuroda of Suruga fine stripe work

Suruga fine stripe work,

It is characteristic that we knit higo and do not make and build, and make.

 

As higoha is straight thing, we compromise when we bend commonly.

When we bend, we add heat and soften and make form while it is soft.

 

Speaking of thing representative again,

renanodesuga with insect cage and tea set,

Background of Suruga fine stripe work entered basic one recently, too.

There are various types of things from woman business to male business.

 

Creator quits 11 people now,

Only five people break Master of Traditional Crafts in that.

 

But when we performed temporary exhibition in Aoyama square before,

Four young people who liked Suruga fine stripe work

We seem to be studying now.

 

Although we were not able to meet young person from hometown

In performing exhibition in this way,

We can have you know widely,

When it was very happy that person to want to become successor appeared, you said.

 

What had you talk next

It is Oma of Suruga armor-back held-flag.

 

Akira Oma of Suruga armor-back held-flag

Suruga armor-back held-flag concerning armor-back held-flag,

The feature is that we assemble without using nail.

 

Oma is not seized with established concept,

We continue making your original work.

 

With life article and tea service set, others everyday as for the thing making,

We do not focus on one genre.

 

As Suruga armor-back held-flag uses natural tree,

It is necessary to be careful about humidity when we use.

 

Even if humidity is too high, it is not good,

It is not good to put air conditioner, and to get rid of humidity.

If we use for a long time,

After all you seem to be careful about place to put.

 

Again Suruga armor-back held-flag,

There was office nearly old days 100,

There became only 2 companies now.

 

Still Oma cooperates with prefecture and devises new thing and,

When we put together in season and give new item,

You always said that you wrestled with positive posture.

 

We had Kawade of Kakegawa handwoven arrowroot cloth talk successively.

 

1,000 Kawade of Kakegawa handwoven arrowroot cloth

Kakegawa handwoven arrowroot cloth gathers kudzu vine,

We make thread after making it fiber,

And we go through process weaving.

 

We seemed to be divided in people who did person, texture which made person, thread to prepare fiber into with division of labor system in old days,

Because there became little creator now,

We seem to perform all processes in oneself.

 

Kudzu is annual plant,

Plant that we grow up in one year, and soil nibaramaidekara becomes refined with seed finally.

Therefore it is from June to August every year that we gather kudzu.

 

As it is thing growing on mountain nearby,

You said in particular that you did not cultivate.

 

Kawade is the sixth generation,

We are the youngest in creator of Kakegawa handwoven arrowroot cloth.

 

That is because what is making now only as for two.

 

As we are in danger of becoming the last creator as now,

We seem to be thinking whether you are how, and you ask in future.

 

It is hanging scroll to be continued making in Kakegawa handwoven arrowroot cloth for a long time,

We came to make bits and bobs recently.

 

As Kakegawa handwoven arrowroot cloth did not do dyeing,

A lot of things of quiet color taste

To layer that is young as if selling thing which dyed recently appeal.

 

In addition, because kudzu has advantage to be strong originally to become dirty,

You said that it was article usable for a long time.

 

Finally what had you talk

It is Gomyo of Kyo Butsugu.

 

Hisashi Gomyo of Kyo Butsugu

We are not making gold leaf now in Kyoto,

You said that you were good at technique to use gold leaf.

 

Technique to use is to make decoration,

There is you make use of gold leaf, and how you make look beautiful.

 

Beauty of gold leaf that Gomyo says,

Making thing with state same as color taste texture of original gold leaf.

 

Therefore you said when Gomyo was doing finish that held luster in check daringly.

 

The mere present,

It is said that we put gold leaf for dish or bamboo leaf,

Not only we convert traditional technique as Kyo Butsugu into others, but also,

Have me look at thing which I converted,

We have you know that so splendid kinhaku* rino technology is in Japan,

We seem to be thinking that it goes back up in interest in Kyo Butsugu.

 

When correspondence to Japanese and world cultural assets was demanded,

You said when it wanted to be enacted situation where oneself could offer the technique to well.

 

We had you talk this time,

Temporary exhibition "traditional industrial art object exhibition in <fujinokuni> of traditional skill static Oka prefecture divided by biography" until September 20,

"World and mini-experience ... of relationship charge account gold leaf which ... five disciplines play" go artisan section until September 13.

 

As there are demonstration and experience by artisan, too,

Come to Aoyama square by all means.