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DENSAN SearchTRADITIONAL CRAFTS
Murayama Oshima Tsumugi
Murayama Oshima Fabrics
Beginning of Murayama Oshima Tsumugi is said to be in the latter half of the Edo era.
While the history of this kimono cloth only seems to date back to the middle of the 19th century, it was in 1920 that the techniques associated with two different cloths were combined to produce the silk cloth known as Murayama Oshima Tsumugi.
In the old days, Norinaga Motoori left with "zururamukashi where the name of island called pseudo hachijo-silk was than that hachijo-silk".
It seems that the island of Kihachijo got its name from the Hachijo cloth, and the island was a supplier of silk right back in the Muromachi period (1392-1573). Since the middle of the 18th century, very elegant striped and checked cloths have been woven on the island, and these kimono cloths and obi still have many followers today.
In area equal to current Hachioji, silk was woven from end of the Heian era, and there was Woven textiles such as Tsumugi Takiyama and Tsumugi Yokoyama.
Two silk cloths known as Takiyama pongee and Yokoyama pongee were being made toward the end of the 12th century, in the area of present-day Hachioji on the western edge of Tokyo.
Tokyo Some Komon
Tokyo Fine-Pattern Dyeing
Beginning of fine pattern can date back to the Muromachi era, but it is the Edo era, and it is after that fine pattern came to be dyed widely.
Although the history of this craft can be traced back to the Muromachi period (1392-1573), it was not until the Edo period (1600-1868) that cloth of this type was produced in any quantity. Stencil-dyed cloths were especially used for the kamishimo, a piece of formal dress worn by the Daimyo. These regional feudal lords were required to reside in Edo for long periods and the resulting increase in demand for this cloth made Edo the center of its production. Originally, it was only the Daimyo and samurai classes who wore garments of this cloth.
Tokyo Tegaki Yuzen
Tokyo Yuzen Dyeing
It was in the middle of the Edo era, and products from the Kansai area said to be "outbound thing" gathered in Edo where culture and economy prospered together as the center of military administration a lot. There are many personal dyers (we dye and do) of daimyo, and one of passage of such times comes to move to Edo,
By the 18th century, Edo was the center of political power of the Shogunate and the culture and economy of this metropolis that later became Tokyo flourished.
Tokyo no dyed goods in the local area
Tokyo Plain Dyeing
It developed in no dyed goods in the local area such as bluish purple, indigo plant, safflower, Edo tea used by craftsmen of dye house of the latter period during the Edo era as the origin. The feature is that we match colors by stack dyeing.
From the middle to the end of the Edo Period, dyehouse artisans in these regions developed the craft of plain dyeing fabric in Edo-violet, indigo, safflower red, Edo-brown, and other colors. The main feature of this dyeing style is its color harmonization achieved through repeated dyeing.
Edo Fishing Rods
Woodcraft, Bamboo Craftwork
Edo Wazao has begun to be made with jointed fishing rod made using natural bamboo in Edo in the middle of Edo era. Late in the Edo era, we reached level to be able to call arts and crafts, and today's Edo Wazao was completed.
Edo Wazao have always been made from natural culms (stems) of bamboo and were first made in Edo (Tokyo) in the middle of the Edo period (1600-1868). By the end of this era, they had taken on their present-day form and can truly be called works of art. With the sea on their doorstep and some beautiful rivers, too, these rods were a crystallization of research into the needs of those who lived in Edo and loved to fish.
Woodcraft, Bamboo Craftwork
In the Edo era, Tokugawa shogunate government called many craftsmen together from the whole country and we made Shokunincho of Daikumachi, Kajicho, Konnyacho and, around Kanda, Nihonbashi, developed the manual industry.
Many skilled individuals were encouraged to live and work in Edo (Tokyo) by the Shogunate right from the outset of the Edo period (1600-1868), and craft industries developed as a result of the formation of enclaves within the districts of Kanda and Nihonbashi for such specialists as carpenters, smiths, and dyers.
It was in the middle of the Edo era, and it was beginning of "Tokyo Ginki" that silverware craftsman called silversmith (we do and do Gane) and decoration craftsman called Master metalworking to make comb, ornamental hairpin, God interest (mikoshi portable shrine) metal fittings appeared as creator of cloth for instrument which profiler engraved.
This craft began during the 18th century with the emergence of three kinds of skilled workers of precious metals. First there was the shirogane-shi, who fashioned articles that were then skillfully chased by masters of this technique; and then there were skilled metal workers who made such things as combs, hairpins (kanzashi) and the decorative metal fittings for the portable shrines or mikoshi.
Tokyo antimony industrial art object
Tokyo Antimony Craft
It was casting product which assumed antimony which was alloy of lead, antimony, tin raw materials, and technique established Tokyo antimony as local industry of Tokyo early in the Meiji era. We make use of delicate design and sculpture, and accessories, prize cup, ornament are made.
Tokyo Antimony is a cast metal craft that uses an alloy made from lead, antimony, and tin. This craft was established in Tokyo as a local industry in the early Meiji period (1868 - 1912). The detailed patterns and engravings are used for decorations, trophies, ornaments, and more.
Edo Kimekomi Ningyo
Edo Art Dolls
Dolls and Kokeshi
Shinto priesthood makes small doll of wooden sculpture with remnants of tree of willow which is materials of wicker box (yanagibako) to be in the middle of the Edo era, and to use for sacred rites in Kamigamo, Kyoto Shrine and touches groove, and maridato is said to be what we catch remaining cloth of clothes of Shinto priesthood there and help put on and touched at the beginning.
In the middle of the Edo period (1600-1868), a priest called Takahashi Tadashige is said to have been very proud of a small wooden doll that he had carved from scraps of willow which were left over from boxes used in a festival at Kamigamo shrine in Kyoto. Then using remnants of fabric from his priest's clothing, he dressed the doll by inserting the ends of the fabric into the wooden torso.
Edo Sekku Ningyo
Edo Sekku Ningyo
Dolls and Kokeshi
Doll production of Edo began under the influence of Kyoto early in the Edo era, but it is thought about with age of an emperor approximately 250 years ago Edo original style having been established. Hina doll and doll for the Boy's Festival were realistic, and, from this time, they became refined Edo-style figure. Doll culture of Edo met the golden age for the culture civil administration period that was in the latter half of the Edo era, and former decoration which we decorated outdoors early in the Edo era was decorated indoors, and Edo armor of precise decoration which made doll for the Boy's Festival and real armor model was made.
Edo doll production began in the early Edo period (1600s) due to influence from Kyoto, but the unique Edo style is said to have begun 250 years ago in the Horeki era.