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DENSAN SearchTRADITIONAL CRAFTS
Kaga Yuzen Dyeing
Beginning of Kaga Yuzen sails up to "umesen" (umezome) which is dyeing technique peculiar to Kaga. It is written down for documents that there has been already "umesen" in middle part of the 15th century.
The origins of Kaga Yuzen go back to a type of dyeing called ume-zome, which was unique to the area. This dyeing technique already existed in the middle of the 15th century and can be verified through written records. Besides ume-zome, other very old methods of dyeing called kenbo-zome and iro-emon are also part of Kaga's legacy of dyeing and went under the general heading of okuni-zome.
Obori Soma Yaki
Obori Soma Ware
It is said that Obori Soma Yaki was begun to make in the early period of Edo era (1690). It was in those days in the most big production center in the Tohoku district where more than 100 potteries lined up for last years in the Edo era because Soma feudal clan which ruled the district protected grilled manufacturing, and they brought up.
Indications are that the origins of Obori Soma Yaki go back to toward the end of the 17th century.
Craftsman who wore the manufacturing method in Mino is own house, and, as for the beginning of Uchiyama Gami, what suki (we do) was is said to be opening early in the Edo era.
Early in the 17th century, Hagiwara Kiuemon, a resident of a small village in Uchiyama district went to learn how to make paper in Mino, itself famous for its handmade papers. On returning home, he began making paper and from these simple beginnings, the craft flourished in this area where the heavy snowfalls have contributed to the techniques of this fine handmade paper.
Oku Aizu Amikumi Zaiku
Woodcraft, Bamboo Craftwork
In the remains of Arayashiki of Mishima-machi, Onuma-gun, Fukushima, pieces such as group of knitting of rope and basket are excavated, and it becomes clear that we knit from Jomon period, and skills and techniques of group existed.
Fragments of simple basketry and rope were discovered at the Arayashiki archeological dig in the town of Mishima, Ohnuma county in Fukushima Prefecture, proving that the skills and techniques of weaving and twisting ropes existed in the area as far back as the Jomon period, which covers the period of Japanese history from about 10,000 B.C. to 300 B.C. Then, in one ancient local chronicle about farming, reference is made of the fact that baskets were being made from vegetable and plant material in the Aizu region.
When Tadaoki Hosokawa became feudal lord of Kokura feudal clan in (1602) at the beginning of the 17th century, we invite Korean ceramist, and what let the whole families make ascending kiln in here Ueno does by opening.
Agano Yaki dates back to the 17th century, when Hosokawa Tadaoki, who became the feudal lord of the Kokura clan in 1602, invited a Korean potter to come to Japan and had members of his clan construct a noborigama--one of the famous ""climbing kilns--in Agano.
Kyoto Kumihimo Braids
By living of Jomon period, it is easy twist rihimoya; crossed, and string was used.
Both twisted cord and simple braided cord were used in everyday life during the Jomon period (ca. 10,000 - ca. 300 B.C). Kyoto braided cord is reported to have appeared in the Heian period (794-1185) but techniques in the making of practical braided cord developed in the Kamakura period (1185-1333) as the use of armor increased. Production of cord for haori, short kimono jackets, started in the Edo period (1600-1868).
Edo Decorative Papers
The karakamino source dated back to draft of tanka writing paper which transcripted 31-syllable Japanese poem of the Heian era, but came to be put on sliding paper-door or screen the Middle Ages later. Demand increased and accomplished original development while town planning of Edo by Tokugawa shogunate government advanced in the Edo era.
The origin of these decorative papers dates back to a type of paper used during the Heian period (794-1185) to write out the traditional style of poem called a waka. Nevertheless, it was not until the Middle Ages that decorative papers were applied to free-standing screens and were stretched over the sliding screens called fusuma dividing interior space.
Kyoto Art Mountings
Opening dates back to the Heian era. We were intended that mounting passed and put cloth on ya painting and calligraphic work, and to reinforce in those days. For preservation and appreciation, we did hemming or lining with cloth or paper in painting and calligraphic works and prepared to hanging scroll and sum, and it came to treat the "mounting" to do on screen and screen, sliding paper-door public afterwards.
Art mounting dates back to the Heian period (794-1185), when pieces of artwork, calligraphy and the Sutras were strengthened by backing them with fabric. Later, calligraphy and paintings were backed or edged with paper or fabric for display or to help protect them.
Banshu Fishing Flies
Technique was introduced from Kyoto in last years of Edo era and we protected as side business of farmhouse and have been brought up. We raised completeness of product with the times, and technique improved before it produced result of superior fishing.
The techniques of this craft were introduced to Banshu from Kyoto toward the end of the Edo period (1600-1868). Local farmers began making the hooks and flies in their spare time, preserving and developing the craft over the years, while gradually perfecting each type of hook to a level at which it would bring good results. Flies won a number of prizes at Fisheries Fairs held during the late 1800s and as a result, Banshu Kebari earned the recognition of many fishermen.
Kyo Kanoko Shibori
Kyoto Kanoko Shibori
Tie-dyeing was performed for some time in Japan for one thousand several hundred years and has been used as pattern expression of Imperial Court clothes.
Shaped resist tie-dyeing, or shibori has been carried out for over a thousand years in Japan and was used for the patterns on court dress. It is known as kanoko shibori, or literally "fawn spot tie-dyeing" because of its resemblance to the spots on a young fawn.
Murayama Oshima Tsumugi
Murayama Oshima Fabrics
Beginning of Murayama Oshima Tsumugi is said to be in the latter half of the Edo era.
While the history of this kimono cloth only seems to date back to the middle of the 19th century, it was in 1920 that the techniques associated with two different cloths were combined to produce the silk cloth known as Murayama Oshima Tsumugi.
Woodcraft, Bamboo Craftwork
Opening dates back to the Heian era. Specialized cabinetmaker appeared after the Muromachi era, and, with establishment of tea ceremony culture, Kyo Sashimono developed, too.
Although this craft dates back to the Heian period (794-1185), specialist cabinet makers did not appear until during the Muromachi period (1392-1573), when this form of joinery developed in step with the ceremonial drinking of tea. Beside a range of the finest traditional household furniture made in solid wood, many pieces of turnery, bentwood work and items made from boards are also fashioned from such woods as paulownia (Paulownia tomentosa), Japanese cedar (Cryptomeria japonica), mulberry (Morus) and zelkova (Zelkova serrata).