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DENSAN SearchTRADITIONAL CRAFTS
Niigata Shirone Butsudan
Niigata Shirone Household Buddhist Altars
Household Buddhist Altars and Fittings
It is in the middle of the Edo era and expert building temple called Rev. Buddhist monastery (do ding-dong) adopts skills and techniques from Kyoto and makes Household Buddhist Altars of Kyoto form, and what completed "unvarnished wood (shiraki) Household Buddhist Altars " which we put sculpture easy by hand of oneself for more does by opening.
A specialist, who was responsible for building a temple, introduced various skills and techniques from Kyoto to the area in the middle of the Edo period (1600-1868) and made Kyoto style household Buddhist altars. He also made a plain wooden altar, carving it in a simple manner himself. This was to be the forerunner of Niigata Shirone Butsudan.
Ojiya Ramie Crepe
The history of hemp cloth in Ojiya is old, and trace of the texture is left to earthenware vessel thought to be last part of Jomon period.
The history of linen weaving in Ojiya goes back a very long time. A piece of pottery which is thought to have been made at the end of the Jomon period (ca.10000-ca.200 BC) has been discovered bearing the imprint of some woven fabric. Well suited to the climate of Ojiya, woven linen was valued highly and was presented to the Shogun.
When the Emperor Shomu makes purple incense comfort shrine (he does, and pattern comes chisel) in Tempyo period, it is said to be opening to have baked tile and is counted in one of Japan six Old kilns.
Recognized as one of the six old kilns or Rokkoyo in Japan, the origin of Shigaraki Yaki dates back to the making of roofing tiles for the Shigaraki palace by Emperor Shomu during the Tenpyo period beginning in 730.
Iga Kumihimo Braids
Beginning of Iga Kumihimo is old, and it is said that it dates back to the past in the Nara era.
The origins of Iga kumihimo braid are extremely old and may even date back to before the Nara period (710-794).
It was in the middle of the Edo era, and it was beginning of "Tokyo Ginki" that silverware craftsman called silversmith (we do and do Gane) and decoration craftsman called Rev. metalworking to make comb, ornamental hairpin, God interest (mikoshi portable shrine) metal fittings appeared as creator of cloth for instrument which profiler engraved.
This craft began during the 18th century with the emergence of three kinds of skilled workers of precious metals. First there was the shirogane-shi, who fashioned articles that were then skillfully chased by masters of this technique; and then there were skilled metal workers who made such things as combs, hairpins (kanzashi) and the decorative metal fittings for the portable shrines or mikoshi.
Kagawa Lacquer Ware
As for the Kagawa Shikki, Zokoku Tamakaji studies Laquer Ware technique that "*hishio" (kimma) was transmitted through "*sei" (zonsei) from Thailand and Chugoku late in the Edo era,
Kagawa Shikki started at the end of the Edo period (1600-1868), by Tamakaji Zokoku, a famous lacquerer with the development of new techniques that came into being by combining traditional Japanese techniques with skills such as kinma and zonsei which had been brought to Japan from Thailand and China.
Obori Soma Yaki
Obori Soma Ware
It is said that Obori Soma Yaki was begun to make in the early period of Edo era (1690). It was in those days in the most big production center in the Tohoku district where more than 100 potteries lined up for last years in the Edo era because Soma feudal clan which ruled the district protected grilled manufacturing, and they brought up.
Indications are that the origins of Obori Soma Yaki go back to toward the end of the 17th century.
Haebaru Hana Ori
Haebaru Hana Ori is Woven textiles produced in Haebaru-cho, Okinawa after the Meiji era. Unique name and designs of kuwankuwan Kaori, chippugasa, Kyan of eight pieces exist in beautiful three-dimensional pattern like flower comprised of organization texture.
Sakai Forged Blades
Gun, cigarette were transmitted by middle part, Portuguese of the 16th century. Because "cigarette kitchen knife" which ticked away tobacco leaves came to be made in Sakai in the latter half of the 16th century, and Tokugawa shogunate government gave Sakai seal of quality proof called "hallmark" and admitted monopoly, the sharpness and fame of Sakai knife opened to whole country each place.
Guns and tobacco were introduced into Japan in the middle of the 16th century by the Portuguese. By the end of that century, small tobacco knives were being forged in Sakai and the Tokugawa Shogunate awarded the forgers of Sakai a special seal of approval and guarantee of their quality.
Beginning of Oitama Tsumugi dates back to the early eighth century. Firstly the system as production center was set in what Kagekatsu Uesugi of feudal lord recommended in the Edo era.
While dating back to the 8th century, the weaving of this cloth did not become firmly established in this area of Yamagata Prefecture until the beginning of the 17th century. This was when Uesugi Keisho, the lord of the fief, encouraged its weaving.
Tokyo antimony industrial art object
Tokyo Antimony Craft
It was casting product which assumed antimony which was alloy of lead, antimony, tin raw materials, and technique established Tokyo antimony as local industry of Tokyo early in the Meiji era. We make use of delicate design and sculpture, and accessories, prize cup, ornament are made.
Tokyo Antimony is a cast metal craft that uses an alloy made from lead, antimony, and tin. This craft was established in Tokyo as a local industry in the early Meiji period (1868 - 1912). The detailed patterns and engravings are used for decorations, trophies, ornaments, and more.
Woodcraft, Bamboo Craftwork
When carpenter of Inami who had extremely high technique rebuilt the main hall of a Buddhist temple of temple destroyed by fire in middle part of the 18th century, it is done with opening that we were informed by order engraver dispatched from Kyoto technique of sculpture.
When the highly skilled carpenters of Inami were rebuilding the main worship hall at Zuizenji temple after it had been destroyed by a fire in the middle of the 18th century, some woodcarvers with official patronage were dispatched from Kyoto to help with the work and it is thought that the carving techniques they passed on to the local carpenters marked the beginnings of woodcarving here.