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We look for from industrial art object: Laquer Ware
Aizu Nuri

Aizu Nuri

Production center: Fukushima

What recommended that the whole families who had power in this district in the Muromachi era plant lacquered tree does by opening.
Because military commander of Oomi would rule over Aizu in the Azuchimomoyama era and called Laquer Ware craftsman of Oomi together and spread the technique to Aizu and planned the industrial training and technological change using lacquer, the making of Laquer Ware of Aizu was made industry at a stretch.
We adopted lacquer work technique from Kyoto, and Aizu Nuri which developed steadily, and spread out got permission of the Shogunate at the middle in the Edo era and came to try foreign countries export afterwards. Power as production center weakened with confusion of the Meiji Restoration at one time, but we regained vigor again afterwards and reached the golden age.

It is this about industrial art object in detail >

Laquer Ware Fukushima

Aizu Nuri

Glass gui bookmaking wild cherry tree pair (Class two)

10,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

3.7 sunshiruwanginshu

6,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

It is cup in yellowish vermilion horse

35,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

Yellowish vermilion 6 sun lacquer bowl

35,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

2.2 Small cup vermilion down payment pine, bamboo, and plum

8,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

3.9 Single cup vermilion cherry tree (belonging to the stands)

5,500 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

Black 6.5 sandanjukikukiri

100,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

Wooden cup Aizu picture 1

3,700 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

Cup vermilion down payment hangs down; cherry tree

10,000 yen (tax-excluded)
Laquer Ware Fukushima

Aizu Nuri

Black in 3.7 sun of soup bowls reservoir

6,000 yen (tax-excluded)